HOME | CHECKOUT | ABOUT | FAQ | CONTACT US |
 
Welcome Guest [create an account] or log-in:
email
password

Chapter 2 The Place to be... global, The glocal configuration of world festivals, The case of Les Eurockéennes de Belfort, France

DOI: 10.23912/978-1-910158-55-5-3014

ISBN: 978-1-910158-55-5

Published: February 2016

Component type: chapter

Published in: Focus on World Festivals

Parent DOI: 10.23912/978-1-910158-55-5-2822

10.23912/978-1-910158-55-5-3014

Abstract

The simple aim throughout this book is to ask questions of world festivals, as evidenced in recent advances in research about festivals. The ‘festivalisation of culture’ (Négrier, 2015) approach has seen an expansion in both qualitative and quantitative research in recent years. A few years ago, the research on festivals was going in three directions: a monographic approach (Autissier, 2008); an approach dominated by economic issues, management (Maughan and Bianchini, 2004; Bonet and Schargorodsky, 2012) or tourist attractiveness (Anderson and Getz, 2009); and an approach considering the festivals as peripheral, or exceptional, items of cultural policies. More recently, new opportunities emerged with the crossing of these three approaches with more artistic or aesthetic issues, as we can see in Focus on Festivals (Newbold et al, 2015). At the same time, the interest in the multi-dimensional nature of festivals opens up new questions about the relationship between festivals and public space (Giorgi et al, 2011). The identification of a world category of festival is both logical and paradoxical. It is logical, because, by their history, festivals, more than other cultural enterprises, were the levers for artistic exchange beyond national borders and beyond daily life (Falassi, 1987). Rather than the local and national institutions permanently installed in cities and artistic seasons, the programming of festival is still a powerful tool for the circulation of artists, for sharing tastes, and for cooperation between actors. The global nature of festivals is a substantial element of their dynamics, even if not all of them have the same degree of international openness. That’s why festivals seem to be not only in perfect harmony with the contemporary anthropological moment, but also a response to several ongoing issues of cultural policies: cultural democratisation (Négrier et al, 2010), the legitimisation of local authorities (Watermann, 1998), the transformation of artistic genres (Dowd et al, 2004), cultural diversity or European identity (Maggauda and Solaroli, 2011) or, more generally, territorial identity. The development of mega-events, as a new strategy of distinction for towns and cities, has become a particular research topic (Gold and Gold, 2005; Quinn, 2005; Van Aalst and Van Melik, 2012), not without a causing a critical current (Rojek, 2013). However the world category of festivals can also be paradoxical. Indeed, alongside the considerable growth of these events, the balance of studies about many of them shows how each festival has a singular story, and is always singularly local. Here we have the opportunity to illustrate this from the perspective of a particular event, the Eurockéennes de Belfort. But on this point, the example is widely generalisable. The research discussed in this chapter is based on a dual survey conducted four years apart (2010 and 2014), using the same quantitative and qualitative methods. It is part of a research programme about festivals that began, in France then in Europe, in 2006.

Contributors

  • Aurélien Djakouane (Author)
  • Emmanuel Négrier (Author)

For the source title:

  • Chris Newbold, De Montfort University (Editor)
  • Jennie Jordan, De Montfort University (Editor)

Cite as

Djakouane & Négrier, 2016

Djakouane, A. & Négrier, E. (2016) "Chapter 2 The Place to be... global, The glocal configuration of world festivals, The case of Les Eurockéennes de Belfort, France" In: Newbold, C. & Jordan, J. (ed) . Oxford: Goodfellow Publishers http://dx.doi.org/10.23912/978-1-910158-55-5-3014

References

Andersson, T., and Getz, D. (2009) Tourism as a mixed industry: Differences between private, public and not-for-profit festivals, in Tourism Management, 30(6), 847-856.

https://doi.org/10.1016/j.tourman.2008.12.008

Autissier, A. M. (2008) L'Europe des Festivals, Paris: Éditions de l'Attribut.

Bonet, L., and Schargorodsky, H. (eds.) (2012) La gestion de festivals por sus protagonistas, Barcelona: Gescénic.

Djakouane, A. (2005) De l'espace incertain des pratiques culturelles à l'espace négocié des carrières de spectateurs : une épreuve pour la notion de milieu social, in Carnet de bord, no.8, 35-45.

Djakouane, A. (2011) La carrière du spectateur. Une approche relationnelle des temps de la réception, in Temporalités, no. 14: https://temporalites.revues.org/1939

https://doi.org/10.4000/temporalites.1939

Dowd, T.J., Liddle K., and Nelson, K. (2004) Music festivals as scenes, in A. Bennett, R. A. Peterson, (eds.) Music Scenes. Local, Translocal and Virtual, Nashville: Vandebilt University Press, 149-167

Ethis, E. (ed.) (2002) Avignon, Le public réinventé. Le festival sous le regard des sciences sociales, Paris: La Documentation Française.

Ethis, E., Fabiani, J. L., and Malinas, D. (2008) Avignon, le public participant, Montpellier: L'Entretemps.

Falassi, A. (1987) Festival: definition and morphology, in A. Falassi, (ed.) Time Out of Time: Essays on the Festival, Albuquerque: University of New Mexico Press, 1-10.

Giorgi, L., Sassatelli M. and Delante, G. (eds.) (2011) Festivals and the Cultural Public Sphere, London: Routledge.

Gold, M., and Gold, J. R. (2005) Cities of Culture: Staging International Festivals and the Urban Agenda 1951-2000, Aldershot: Ashgate.

Kancel, S., Itty J., Weill M., and Durieux, B. (2013) L'apport de la culture à l'économie de la France. Rapport de l'Inspection générale des Affaires culturelles et de l'Inspection générale des Finances, Paris: Ministère de la Culture.

Magaudda, P., and Solaroli, M. (2011) I festivali artistici e la cultura pubblica europea, in Il Mulino 60(5), 897-903.

Maughan, C., and Bianchini, F. (2004), The Economic and Social Impact of Cultural Festivals in the East Midlands of England, East Midlands Development Agency-Arts Council England.

Négrier, E., and Vidal, M. (2009) L'impact économique de la culture: Réels défis et fausses pistes, in Economia della cultura, no.4, 487-498.

Négrier, E., Djakouane, A., and Jourda, M. (2010) Les publics des festivals, Paris: Michel de Maule.

Négrier, E., Djakouane, A., and Collin, J. D. (2012) Un territoire de rock. Le public des Eurockéennes de Belfort, Paris: L'Harmattan, coll. Logiques sociales.

Négrier, E., Bonet, L., and Guérin, M. (2013) Music Festival: A changing world, Paris: Michel de Maule.

Négrier, E. (2015) Festivalisation: patterns and limits, in C. Newbold, C. Maughan, J. Jordan, and F. Bianchini, (eds.), Festivals in Focus: Contemporary European case studies and perspectives, Oxford: Goodfellow, 18-27.

Newbold, C., Maughan, C., Jordan, J. and Bianchini, F. (eds.) (2015) Festivals in Focus: Contemporary European case studies and perspectives, Oxford: Goodfellow.

Quinn, B. (2005) Arts Festivals and the city, in Urban Studies, 42(5-6), 927-943

https://doi.org/10.1080/00420980500107250

Robertson, R. (1995) Glocalisation: Time-Space and Homogeneity-Heterogeneity, in M. Featherstone, S. Lash, and R. Robertson, (eds.) Global Modernities, London: Sage.

Rojek, C. (2013) Event Power. How Global Events Manage and Manipulate, London: Sage.

Van Aalst, I., and Van Melik, R. (2012) City festivals and urban development: Does place matter? in European Urban and Regional Studies, 19(2), 196-206.

https://doi.org/10.1177/0969776411428746

Waterman, S. (1998) Carnival for elites? The cultural politics of music festivals, in Progress in Human Geography, 22(1), 54-74.

https://doi.org/10.1191/030913298672233886

Terms and conditions of purchase | Privacy policy